2025 Film Festival Program

Inwood Art Works proudly announces the programming for its tenth year of the Inwood Film Festival, to be held at Columbia University’s Campbell Sports Center in Inwood from May 29th-June 1, 2025. The festival will be presenting a record 37 films, including 14 world premieres, along with seminars, post-show conversations with filmmakers, and plenty of special events. Details of the screenings and all the films are listed below.

The festival includes an Opening Night Benefit on Thursday, May 29th, at 7pm, featuring a special feature presentation of locally made award-winning documentary shorts. Plus, experience live music, delicious catered food, specialty cocktails, refreshing beer from Dyckman Beer Company, and birthday cake in celebration of ten years of the Inwood Film Festival!

Before and after the festival screenings, ticket holders can mingle in The Red-Carpet Community Room, a hip hub to connect filmmakers and audiences that is for the exclusive use of all Inwood Film Festival ticketed patrons before and after each screening. Enjoy a glass of wine or a Dyckman Beer and come to connect with neighbors before the show, stay afterward to discuss the films, meet like-minded folk, and hob-nob with local movers n’ shakers!

After the last screenings on each day there will be conversation with some of the day’s filmmakers. Following the final post-screening discussion, at approximately 7pm on Sunday, join us in the theater for the announcement of the Inwood Film Festival’s Annual Awards for Excellence in Filmmaking.

At the end of each evening, you can join filmmakers, film aficionados, and the Inwood Art Works team in enjoying some cake and raising a glass to our Inwood community and its vibrant arts scene in the Red Carpet Community Room.

Once again, we’ll also be hosting IFF+ as the online extension of the Inwood Film Festival June 1 through Sunday, June 22. Our goal for IFF+ is to provide an alternative digital platform that celebrates, showcases, and enhances accessibility to the films of our fantastic local artists. Our hope is that these online festival screenings attract large and enthusiastic new audiences for local independent filmmakers.

The Inwood Film Festival is supported, in part, by public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Inwood Film Festival is made possible by the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. This program is funded in part by The Medical Center Neighborhood Fund.

Thanks to these organizations and all our local sponsors

Tickets and Location

$15 Single Tickets (Students $10*) to each individual screening.

$60 Festival Pass (Students $40*) — all access pass to all screenings May 24-26.

$85 Benefit Ticket ($125 on the day) — admission to Opening Night Benefit on May 23.

$125 Benefit Ticket & Festival Pass â€“ admission to Opening Night Benefit on May 23, and all access pass to all screenings May 24-26. No refunds or exchanges.

IFF+ Online Festival â€“ $3 Single Tickets / $20 Festival Pass (on sale from May 1)

*Special discount for local students. Email info@inwoodartworks.nyc for promo code and attach proof of current student ID

Campbell Sports Center

Friday Program

(jump to: Saturday Program | Sunday Program)

Seminar: SAG-AFTRA Contracts for the Indie Creator

Friday, 4:00-4:45pm (Pay-what-you-can).
Learn the contracts available to you through SAG-AFTRA to empower you to make your film. Members of the SAG-AFTRA New York Local, including Actor/Writer/Producer, Sarah Seeds and Lief Larson (SAG AFTRA NY Board Member & TV Academy Member) offer their expertise in everything including contracts, budgeting, and creation. Q&A to follow.


Long Shorts: Documentary Portraits & IFF Filmmaker Fund Docs | Friday, 7:05pm

(50 minutes total screening time with post-screening conversation with grantees and filmmakers.)

This is Jane
Chapel, directed by Annika Horne

Within the hustle and bustle of JFK airport, before security, four chapels of different traditions sit next to each other: Protestantism, Christianity, Judaism, and Islam. Each is open 24 hours a day and greets thousands of visitors and worshipers on a daily basis. The proximity of these four different sacred spaces highlights the diversity of the travelers coming through JFK everyday, and the importance of tolerance and embracing diversity.

Alternate Side Parking
Pastrami a go-go and other rye tales of the city: Booming, directed by Arlene Schulman

So what happens when you read the comments posted about you in the New York Times? You create a film. In this rollicking short film, Arlene Schulman tackles well, just about everyone who commented about her rent regulated apartment, NYC, her looks, her apartment decor, and the coffee she drinks.

Condos
Beautiful Humans: Creative Arts Therapy on Rikers, directed by David Leo Schulder

Filmed at Rikers Island jail in NYC, this is the first time dance and music therapy sessions on Rikers have ever been recorded. The film documents creative arts therapy sessions on the island, with individuals detained at Rikers as the participants.

Nana
The Straight Curved Line, directed by Mark Ezovski

A collaboration between Washington Heights based filmmaker Mark Ezovski and East Village based performance artist Chere Krakovsky, “The Straight Curved Line” explores the challenges of creating, aging, forgiveness and finding peace within oneself.

Puerto Rican Jew
The Hessians and The Pastilito, directed by James Bosley

Two Hessian mercenaries from the revolutionary war wake up in 2024 upper Manhattan and discover how things have change in 2040 years.


Long Shorts: IFF Filmmaker Fund Narrative Shorts | Friday, 8:35pm

(45 minutes total screening time with post-screening filmmaker conversation and reception featuring Inwood Filmmaker Fund grantees.)

This is Jane
Robotomy, directed by Michael Pizzano

Convinced he’s a robot, a man desperately visits a doctor for answers he has trouble believing.

Alternate Side Parking
The Poet’s Daughter, directed by Hannah Eakin

The Poet’s Daughter is set in the 1950s, and it tells the story of Annabelle, a little girl longing for connection, and her mother Margaret, a sensitive poet torn between her artistry and the demands of family and society.

Condos
WorkHomePlay, directed by Roy Koshy

A story about office employees who work in an office cubicle, which also happens to be their home. They navigate relationships in this hybrid environment as they face the closure of their work/home.

Nana
Sweet Boys, directed by Natasha Rivera

Sweet Boys is a love letter to youth, East Harlem and the kids I knew growing up.

Saturday Program

(jump to: Friday Program | Sunday Program)

Seminar: Budgeting, or Telling Story of your Film through Numbers

Saturday, 12:05pm (Pay-what-you-can). Appropriate for beginners and professionals.
Before you make your movie, you need make a budget! Do you know how to tell the story of your film through numbers? Join Founder and Executive Producer of Inwood Art Works, Aaron Simms, as he shares the essential financial considerations all filmmakers need to account for before they shoot their first frame.


Our Island | Documentary Feature | Saturday, 1:35pm

(87 minutes, in Spanish with English subtitles, plus a special post-screening filmmaker conversation immediately following)

Robin Hood

Directed by Ronny A. Sosa

Our Island is a captivating documentary exploring the sustainable practices and environmental responsibility shaping the future of our Caribbean paradise. From innovative ecological projects to traditional methods passed down through generations, this film delves into the unique balance between culture, community, and conservation. Through the voices of local leaders, scientists, and everyday heroes, “Our Island” celebrates the resilience and creativity of a nation dedicated to preserving its natural beauty for generations to come.


Long Shorts | The Boundaries of Reality | Saturday, 5:05pm

(54 minutes total screening time, plus post-screening conversation with filmmakers)

Check Please
But I’m a Shoe, directed by Chen Drachman

This is the story of a woman who wanted to fly comfortably, so she used a new service called “Objectified Travel” just to be reminded that the grass isn’t always greener.

Self Love
Is it Anything?, directed by Jonathan Ullman

A policy wonk from the Department of Information attempts to come to terms with a mysterious object he can’t seem to get rid of.

The Pillow Case
STONES, directed by Susan Campochiaro Confrey

This gay STONE risks it all by leaving its oppressive family. Will the unknown world kill it or will it evolve into its true self.

Hairpiece
Bathed in the Night, directed by Michael Pizzano

A girl and a cat wait out the apocalypse in a New York City apartment, until a lone light draws her out, leading her to face the darkest parts of the dystopian city below on a journey to face her fears.

Bald
You Don’t Say, directed by Jeffrey D. Simon

Hebert and Lilith are madly in love but too shy to tell each other-that is until they walk into a magical, musical bookstore. But what genre is best for honesty?


Short Shorts | Saturday, 7:00pm

(45 minutes total screening time, plus post-screening conversation with filmmakers)

City of Dreamz
My Hair, directed by Alison Loeb & Sam Guncler

A young girl suddenly appreciates her awesome hair in this moving indie musical short. Lightly animated art by local 6-9 year-olds helps tell her story.

Fundamental Shapes
Monster In Me (student film), directed by Roselin M Lopez

The story of Aurora, a troubled teenager grappling with the harsh realities of cyberbullying perpetrated by her classmates. With each hurtful message and malicious comment, Aurora sinks deeper into a spiral of sorrow and loneliness, feeling like an outcast in her own world. As the cyberbullying intensifies, Aurora’s inner turmoil manifests into a physical form a monstrous entity that haunts her every waking moment, feeding off her insecurities and fears.

Un Bizcocho Para Mi (A Cake for Me)
The Unanswerable Question (Student Film), directed by Claire Fleming

When faced with her impending death, a young girl is forced to come to terms with what little time she has left. We watch her question of the meaning of her life and death.

Suspicious Minds
NO MORE CHILD SUPPORT, directed by STARGO

A man reflects on the birth of his son on the last day of his child support payment.

City of Dreamz
COAL, directed by David Zayas Jr

A kid receives coal at Christmas and vows revenge on Santa.

Fundamental Shapes
Heads Up, directed by Anja Huang

On a hot summer day, a young boy, a businessman, and a homeless man strike up a conversation about something happening in the sky.

Un Bizcocho Para Mi (A Cake for Me)
Strangers on the A Train, directed by Rachel Kerry

Two commuters on the A Train, listening to very different podcasts, collide with disastrous results.

Suspicious Minds
One Day, directed by Kimberly Dillon

A woman begins an uncontrollable journey as she wakes up to find herself in the first day of the matriarchy.


Long Shorts | Inhood | Saturday, 8:35pm

(67 minutes total screening time, plus post-screening conversation with filmmakers)

Check Please
Devils, directed by Anna Mayo & John R Seeley

Based on real events, Devils connects the stories of two men who struggle to get the upper hand as they battle the tragedies of addiction and loss.

The Pillow Case
A Night in the Heights, directed by Henlee DeJesus

What was supposed to be a quiet night in turns into a chaotic quest through Washington Heights to find the girl of his dreams, all because he MIGHT have heard her say his name in the background of a social media post.

Hairpiece
Mercy, directed by Leslie Kincaid Burby

A young mother and her baby take a walk in a wooded city park and come face-to-face with its tragic secrets from the past.

A Walk in the Park, directed by Jay Marks

A late night dog walk becomes a desperate escape from a neighborhood being warped and distorted by an unfamiliar presence

Sunday Program

(jump to: Friday Program | Saturday Program)

Long Shorts: Women in the World | Short films under 25 minutes | Sunday, 1:35pm

(73 minutes total screening time, plus post-screening conversation with filmmakers)

Honest Work
The Road to Lilith, directed by Liz Sweeney

For centuries, women have had hid their fierceness, suppressing their “Dark Feminine”, for fear of judgment from the patriarchy. The Road to Lilith is a coming-of-age story for the middle-aged, a new declaration of independence for anyone who has lost their voice and is ready to risk it all to find it again.

On Point
Heatstroke, directed by Jack Romashoff

Film inspired by real events. An envious girlfriend learns about a big inheritance her boyfriend is about to receive and decides to take the matter into her own hands.

Honest Work
Nobody is Normal, directed by Sirin Samman

Depression and anxiety take anthropomorphic form as two hella annoying mental health clowns, making daily life a challenge for their teenage target and her overbearing mother.

On Point
The Sapling, directed by Jon Mitchell

A starry eyed actress moves to the city and though it quickly beats her down – a persevering New Yorker is born with the help of a mystical and stalwart being from deep in the woods. Inspired to make a Miyazaki-esque live-action film, the main character has almost no dialogue as we watch her navigate a beautiful but harsh environment.

Mangu Aqui 2
.fullstop, directed by Camara Ife Aaron & Felicia Shayda Sobhani

This comedy short follows 12-year-old Liv, the star of her middle school soccer team and its only girl. When she gets her period in the middle of playoffs, her best friends, Zora and Priya, have to help.


Minted | Feature Exhibition | Sunday, 3:35pm

(77 minutes, plus a special post-screening conversation with filmmakers)

Robin Hood

Directed by Nicholas Bruckman

When the artist known as Beeple shatters records by selling a digital artwork for $69 million, it ignites a global NFT phenomenon that transforms the lives of artists around the world—but they must reckon with the controversies that threaten to collapse this wild and controversial new frontier.


The Good Mind | Feature Exhibition | Sunday, 5:35pm

(66 minutes, plus a special post-screening conversation with filmmakers)

Robin Hood

Directed by Gwendolen Cates

The Indigenous sovereign Onondaga Nation – the Central Fire of the Haudenosaunee (Iroquois) Confederacy – follows the Great Law of Peace, never accepted U.S. citizenship, has its own passport, and still maintains a traditional government led by Clanmothers and Chiefs, one of the world’s first true democracies that inspired the Founding Fathers and the women’s suffrage movement. The film spotlights the Onondaga Nation’s tireless environmental advocacy and their legal battle with the U.S. over ancestral land taken by New York State in violation of a 1794 treaty with George Washington. 


2025 Awards for Excellence in Filmmaking | Sunday, 7:00pm | FREE, all are welcome!

Join us in the Theater following the final screening on Sunday for the announcement of the Inwood Film Festival’s Awards for Excellence in Filmmaking.


The Festival Spirit Continues on IFF+

Online only Festival Programming – On demand Sunday, June 1 through Sunday, June 22. Tickets on sale beginning May 1.

In case you missed anything, you can watch all the Festival films at IFF+, the online extension of the Inwood Film Festival. Our goal for IFF+ is to provide an alternative digital platform that celebrates, showcases, and enhances accessibility to the films of our fantastic local artists. Our hope is that these online festival screenings attract large and enthusiastic new audiences for local independent filmmakers.