Founded in 2005, NYC-based Double Entendre Music Ensemble is a collective of like-minded musicians devoted to adventurous exploration of the double reed repertoire. Noted for its first-rate musicianship and creativity, the Ensemble illuminates classics, revives neglected music, and commissions new works for these soulful instruments. Led by Kathryn Englehardt, the ensemble performs everywhere from concert halls to beer halls, in churches and bookstores, schools and parks, Double Entendre reaches a diverse audience wherever engaged listeners are found. For more information visit www.doubleentendre.org
Watch for new Inwood Art Works On Air episodes! Live N’ Local episodes drop the first Thursday of each month, and Artist Spotlight episodes drop two weeks later. Subscribe so you don’t miss a thing! And please, show local artists (and us!) some love by leaving some stars and a review on Apple Podcasts.
Inwood Art Works On Air is produced by Inwood Art Works. If you would like to support this this podcast by setting up a $2 to $20 monthly tax-deductible donation to Inwood Art Works please visit www.inwoodartworks.nyc/support/donate-now. If you would like to feature your small business and support Inwood Art Works On Air by sponsoring an episode, contact us. Corporate and neighborhood small business sponsorships are available; email info@inwooodartworks.nyc for more info.
Jamie Reynolds is a Canadian pianist, keyboardist and composer who has lived in New York City since 2005. He graduated with honors from the University of Toronto in 2004, where he studied with David Braid, Mike Murley, Phil Nimmons, and many others. Jamie moved to New York in 2005 when he was awarded multiple Canada Council grants to study privately with Fred Hersch and Craig Taborn. He has also received professional development grants for touring in 2012 and for recording his album Counterpart in 2013. Jamie has performed at New York’s top jazz clubs and has toured extensively in Canada, the U.S., and Europe, including a performance at the Newport Jazz Festival. For more information visit www.jamiereynoldspiano.com.
Be on the lookout for new Inwood Art Works On Air programming released monthly! Subscribe to this podcast or the Inwood Art Works YouTube channel to make sure you don’t miss an episode. And please show us some love by reviewing this podcast on iTunes.
Inwood Art Works On Air is a free podcast produced by Inwood Art Works. If you would like to support this monthly program by setting up a $2 to $20 monthly tax-deductible donation to Inwood Art Works please visit www.inwoodartworks.nyc/support/donate-now. If you would like to feature your small business and support Inwood Art Works by sponsoring an episode, contact us! Corporate and neighborhood small business sponsorships are available. Email info@inwooodartworks.nyc for more information.
Samantha Echo is a singing, songwriting fairy/abomination who was allegedly called into existence as the bastard child of an acid-induced one-night-stand between Leonard Cohen and one of the Disney Princesses (it probably happened at the Chelsea Hotel). She and her music have been described as “somewhere between dangerous and whimsy” (Jack Murray, Unknown Nobodies), meaning that she has fairy wings and a non-threatening babyface but she sings about horrible things; “Dark Fairy Rock” (Jamie Ignao), “Comic Con’s Kate Bush” (Janna Pelle), meaning that she has a very high, girly soprano voice and is almost too nerdy to function; and a female incarnation of Morrissey (Siv Disa), meaning that her lyrics will depress you but in a good way. For more information visit: www.samanthaecho.com
Watch for new Inwood Art Works On Air episodes! Live N’ Local episodes drop the first Thursday of each month, and Artist Spotlight episodes drop two weeks later. Subscribe so you don’t miss a thing! And please, show local artists (and us!) some love by leaving some stars and a review on Apple Podcasts.
Inwood Art Works On Air is produced by Inwood Art Works. If you would like to support this this podcast by setting up a $2 to $20 monthly tax-deductible donation to Inwood Art Works please visit www.inwoodartworks.nyc/support/donate-now. If you would like to feature your small business and support Inwood Art Works On Air by sponsoring an episode, contact us. Corporate and neighborhood small business sponsorships are available; email info@inwooodartworks.nyc for more info.
Samuel D. Hunter’s plays include The Whale (Drama Desk Award, Lucille Lortel Award for Outstanding Play, GLAAD Media Award, Drama League and Outer Critics Circle nominations for Best Play), A Bright New Boise (Obie Award, Drama Desk nomination for Best Play), The Few, A Great Wilderness, Rest, Pocatello, Lewiston, Clarkston, and most recently, The Healing and The Harvest. He is the recipient of a 2014 MacArthur “Genius Grant” Fellowship, a 2012 Whiting Writers Award, the 2013 Otis Guernsey New Voices Award, the 2011 Sky Cooper Prize, the 2008 PONY/Lark Fellowship, and an honorary doctorate from the University of Idaho. His plays have been produced in New York at Playwrights Horizons, Rattlestick Playwrights Theater, Clubbed Thumb and Page 73, and around the country at such theaters as Seattle Rep, South Coast Rep, Victory Gardens, Williamstown Theater Festival, The Old Globe, Woolly Mammoth Theatre Company, Denver Center Theatre Company, Marin Theater Company, and elsewhere.
Samuel’s work has been developed at the O’Neill Playwrights Conference, the Ojai Playwrights Conference, Seven Devils, and PlayPenn. A published anthology of his work, including The Whale and A Bright New Boise, is available from TCG books. He is a member of New Dramatists, an Ensemble Playwright at Victory Gardens, a member of Partial Comfort Productions, and was a 2013 Resident Playwright at Arena Stage. A native of northern Idaho, Sam lives in Inwood, NYC. He holds degrees in playwriting from NYU, The Iowa Playwrights Workshop, and Juilliard.
Watch for new Inwood Art Works On Air episodes! Live N’ Local episodes drop the first Thursday of each month, and Artist Spotlight episodes drop two weeks later. Subscribe so you don’t miss a thing! And please, show local artists (and us!) some love by leaving some stars and a review on Apple Podcasts.
Inwood Art Works On Air is produced by Inwood Art Works. If you would like to support this this podcast by setting up a $2 to $20 monthly tax-deductible donation to Inwood Art Works please visit www.inwoodartworks.nyc/support/donate-now. If you would like to feature your small business and support Inwood Art Works On Air by sponsoring an episode, contact us. Corporate and neighborhood small business sponsorships are available; email info@inwooodartworks.nyc for more info.
Adam Elliott is Jewish. He was born in New York City and has written and acted mostly for the internet. Not porn, but definitely not Netflix either.
His first short film, “A Roommate Short,” played at several festivals including the Greenwich Village Film Festival and Inwood Film Festival. He served as a Staff Writer and Actor on the Digital Series, “The Age of Insecurity” (Adriano Valentini Productions). He also served as a Staff Writer and Actor on the Digital Series, “Little Italy, Los Angeles” (Adaptive Studios). Adam’s short documentary about his father, “Harv,” won the 2017 Greenwich Village Film Festival and 2018 Inwood Film Festival. The film also launched the Harv Toback Fund (www.harvtobackfund.org) for the Arts, which raises money for Art Therapy Programs for Hospitals and Medical Facilities. More recently, his Short Film, “Adam Adamson: Licensed Realtor” (C Minus Productions) made its World Premiere at the IFC Center in New York. Adam can be seen in the newly released Digital Series “How to do Shit with Guido Gagootz.” His upcoming Short Film, “A Best Man” is currently in post-production and was a grant recipient of the inaugural Inwood Art Works Filmmaker Fund Award. For more, visit Adam’s production company, C Minus Productions, at www.cminusproductions.com.
Inwood Art Works On Air is a free podcast produced by Inwood Art Works. If you would like to support this podcast by setting up a $2 to $20 monthly tax-deductible donation to Inwood Art Works please visit www.inwoodartworks.nyc/support/donate-now. If you would like to feature your small business and support Inwood Art Works by sponsoring an episode, contact us! Corporate and neighborhood small business sponsorships are available. Email info@inwooodartworks.nyc for more information.
Putting special characters in the title should have no adverse effect on the layout or functionality.
Special characters in the post title have been known to cause issues with JavaScript when it is minified, especially in the admin when editing the post itself (ie. issues with metaboxes, media upload, etc.).
Latin Character Tests
This is a test to see if the fonts used in this theme support basic Latin characters.
This is a paragraph. It should not have any alignment of any kind. It should just flow like you would normally expect. Nothing fancy. Just straight up text, free flowing, with love. Completely neutral and not picking a side or sitting on the fence. It just is. It just freaking is. It likes where it is. It does not feel compelled to pick a side. Leave him be. It will just be better that way. Trust me.
Left Align
This is a paragraph. It is left aligned. Because of this, it is a bit more liberal in it’s views. It’s favorite color is green. Left align tends to be more eco-friendly, but it provides no concrete evidence that it really is. Even though it likes share the wealth evenly, it leaves the equal distribution up to justified alignment.
Center Align
This is a paragraph. It is center aligned. Center is, but nature, a fence sitter. A flip flopper. It has a difficult time making up its mind. It wants to pick a side. Really, it does. It has the best intentions, but it tends to complicate matters more than help. The best you can do is try to win it over and hope for the best. I hear center align does take bribes.
Right Align
This is a paragraph. It is right aligned. It is a bit more conservative in it’s views. It’s prefers to not be told what to do or how to do it. Right align totally owns a slew of guns and loves to head to the range for some practice. Which is cool and all. I mean, it’s a pretty good shot from at least four or five football fields away. Dead on. So boss.
Justify Align
This is a paragraph. It is justify aligned. It gets really mad when people associate it with Justin Timberlake. Typically, justified is pretty straight laced. It likes everything to be in it’s place and not all cattywampus like the rest of the aligns. I am not saying that makes it better than the rest of the aligns, but it does tend to put off more of an elitist attitude.
Welcome to image alignment! The best way to demonstrate the ebb and flow of the various image positioning options is to nestle them snuggly among an ocean of words. Grab a paddle and let’s get started.
On the topic of alignment, it should be noted that users can choose from the options of None, Left, Right, and Center. In addition, they also get the options of Thumbnail, Medium, Large & Fullsize.
The image above happens to be centered.
The rest of this paragraph is filler for the sake of seeing the text wrap around the 150×150 image, which is left aligned.
As you can see the should be some space above, below, and to the right of the image. The text should not be creeping on the image. Creeping is just not right. Images need breathing room too. Let them speak like you words. Let them do their jobs without any hassle from the text. In about one more sentence here, we’ll see that the text moves from the right of the image down below the image in seamless transition. Again, letting the do it’s thang. Mission accomplished!
And now for a massively large image. It also has no alignment.
The image above, though 1200px wide, should not overflow the content area. It should remain contained with no visible disruption to the flow of content.
And now we’re going to shift things to the right align. Again, there should be plenty of room above, below, and to the left of the image. Just look at him there… Hey guy! Way to rock that right side. I don’t care what the left aligned image says, you look great. Don’t let anyone else tell you differently.
In just a bit here, you should see the text start to wrap below the right aligned image and settle in nicely. There should still be plenty of room and everything should be sitting pretty. Yeah… Just like that. It never felt so good to be right.
And just when you thought we were done, we’re going to do them all over again with captions!
The image above happens to be centered. The caption also has a link in it, just to see if it does anything funky.
The rest of this paragraph is filler for the sake of seeing the text wrap around the 150×150 image, which is left aligned.
As you can see the should be some space above, below, and to the right of the image. The text should not be creeping on the image. Creeping is just not right. Images need breathing room too. Let them speak like you words. Let them do their jobs without any hassle from the text. In about one more sentence here, we’ll see that the text moves from the right of the image down below the image in seamless transition. Again, letting the do it’s thang. Mission accomplished!
And now for a massively large image. It also has no alignment.
The image above, though 1200px wide, should not overflow the content area. It should remain contained with no visible disruption to the flow of content.
And now we’re going to shift things to the right align. Again, there should be plenty of room above, below, and to the left of the image. Just look at him there… Hey guy! Way to rock that right side. I don’t care what the left aligned image says, you look great. Don’t let anyone else tell you differently.
In just a bit here, you should see the text start to wrap below the right aligned image and settle in nicely. There should still be plenty of room and everything should be sitting pretty. Yeah… Just like that. It never felt so good to be right.
And that’s a wrap, yo! You survived the tumultuous waters of alignment. Image alignment achievement unlocked!
People think focus means saying yes to the thing you’ve got to focus on. But that’s not what it means at all. It means saying no to the hundred other good ideas that there are. You have to pick carefully. I’m actually as proud of the things we haven’t done as the things I have done. Innovation is saying no to 1,000 things.
Steve Jobs – Apple Worldwide Developers’ Conference, 1997
These tests are a big deal, but this tag is no longer supported in HTML5.
Cite Tag
“Code is poetry.” —Automattic
Code Tag
You will learn later on in these tests that word-wrap: break-word; will be your best friend.
Delete Tag
This tag will let you strikeout text, but this tag is no longer supported in HTML5 (use the <strike> instead).
Emphasize Tag
The emphasize tag should italicize text.
Insert Tag
This tag should denote inserted text.
Keyboard Tag
This scarcely known tag emulates keyboard text, which is usually styled like the <code> tag.
Preformatted Tag
This tag styles large blocks of code.
.post-title {
margin: 0 0 5px;
font-weight: bold;
font-size: 38px;
line-height: 1.2;
and here's a line of some really, really, really, really long text, just to see how the PRE tag handles it and to find out how it overflows;
}